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Replacing the vampiric undertones of There Existed with undead imagery, "Pain Everyday" finds Michael Esposito's string arrangements mourning the wrongfully killed, while Diggs calls for resurrecting and wreaking havoc. Speaking of zombies, Diggs envisions a swamp full of cannibals on "Eaten Alive." Adorned with Ted Byrnes' percussive collage and jazz experimentalist Jeff Parker's anti-riffs, the song is absolutely spine-tingling.
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Similarly, the accidental demon summoning skit "Wytchboard" and the zombie horde field recording "Drove" evoke sleazy B-movies. as horrorcore overlords.īe it the harsh noise jump scare of "Intro" or the hair-raising dissonance of "Invocation," clipping. Coupled with immersive soundscapes, Diggs' sordid storytelling and cutting commentary reinstate clipping. Over a dynamic, slow-burning beat, Diggs hinges tales of racial injustice around the Candyman - the hook-handed, vengeful spirit of a lynching victim. The central loop of "Say the Name'' derives from the Geto Boys classic "My Mind Is Playing Tricks on Me" - an apt summation of this album's stylistic foundation.
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#Mind plaaying beats on me geto boys bass movie#
Like a slasher movie sequel, Visions of Bodies Being Burned goes for the jugular with Daveed Diggs' lethal flows, mind-bending production from William Hutson and Jonathan Snipes, and an impressive host of guests. After 2019's genre-defining There Existed an Addiction to Blood, the hype behind clipping.'s second horrorcore opus is unavoidable.